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Påskekrim

Scandinavia – a cold, bleak place with cold, bleak weather and cold, bleak people. A place to escape from. As well as the perfect setting for gruesome crimes. And where better to capture this foul ambience than in a hair-raising page-turner? Nordic noir has been a welcome escape route for many Scandinavians over the decades. Crime fiction makes up a large percentage of the total sales in Scandinavia and often tops the best-seller lists.

And once a year crime fiction turns into an elevated form of its own – påskekrim. It is something particularly Norwegian and a very specific type of crime fiction, namely the crime fiction read during Easter – påske – holidays. These crime novels are often published in order to reach the shelves just before the holidays, and they often tell stories set at Easter time. Påskekrim is a long-standing tradition for Norwegians when they head for their mountain cabins. Then they pack their little ryggsekks full of påske essentials, such as oranges, kvikk lunsjes, skis and ski poles, traditional board games and – most importantly – crime novels. Why? In order to scare themselves properly up there in the lonely mountains? The wind howls through the cracks of their old-style, wooden cabins which are only dimly lit by candlelight and an open fire, and each time any of them need to use the loo they have to risk death (by nature or at the hands of the violent murderers they have just read about) by staggering out into the nothingness to try to feel their way to the utedo. This life is highly appealing to Norwegians. They think it is the quintessential representation of hygge, and påskekrim plays a crucial part. 

The reason why the term påskekrim exists is because of a specific crime novel published in 1923: Bergenstoget plyndret i natt! The translation of the title reads ‘The Train to Bergen robbed last night’. It takes place around Easter time and was published at Easter. It was written by two young, aspiring authors who were later to become some of Norway’s best known writers, Nordahl Grieg and Nils Lie. Grieg’s brother, Harald Grieg, was the head of Norway’s biggest publishing house, Gyldendal. He decided to run a campaign to promote the novel on the front pages of all the important newspapers in the country. So the public got quite a shock when they woke up to the alarming headline of the book title – with only a small, almost invisible indication underneath that it was an advert!

So whether you are going all-out Scandi and heading for the mountains, or prefer to stay at home tucked underneath a blanket, Easter time is the perfect time to escape into the mysterious bleak world of crime fiction.

Norvik Press crime novels

Murder in the Dark sports a winning combination of engaging crime narrative and cool, unsentimental appraisal of Scandinavian society (as seen through the eyes of its shabby, unconventional anti-hero). There are elements of the book which now seem quite as relevant as when they were written, and like all the most accomplished writing in the Nordic Noir field, there is an acute and well-observed sense of place throughout the novel. The descriptions of Copenhagen channel the poetic sensibility which is the author’s own: “Copenhagen is at its most beautiful when seen out of a taxi at midnight, right at that magical moment when one day dies and another is born, and the printing presses are buzzing with the morning newspapers”.

Two British environmental activists are discovered dead amongst the whale corpses after a whale-kill in Tórshavn. The detective Hannis Martinsson is asked to investigate by a representative of the organisation Guardians of the Sea – who shortly afterwards is killed when his private plane crashes. Suspicion falls on Faroese hunters, angry at persistent interference in their traditional whale hunt; but the investigation leads Martinsson to a much larger group of international vested interests, and the discovery of a plot which could devastate the whole country.

And for a different kind of whodunnit, why not try

The Löwensköld Ring is the first volume of a trilogy originally published between 1925 and 1928. In addition to being a disturbing saga of revenge from beyond the grave, it is a tale of courageous, persistent women, with interesting narrative twists and a permeating sense of ambiguity. The potent ring of the title brings suffering and violent death in its wake and its spell continues from one generation to the next, as well as into the two subsequent novels in the trilogy: Charlotte Löwensköld and Anna Swärd. The Löwensköld trilogy was her last work of pure fiction, and is now considered a masterpiece.

Lastly, a future translation to look forward to

Written by Kristin Lorentsen

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The Lagerlöf Series in English

In June 2011, Norvik Press published Lord Arne’s Silver, The Phantom Carriage and The Löwensköld Ring, three short novels by the world-renowned author Selma Lagerlöf. It was the start of an exciting and, for us, very gratifying project – the Lagerlöf in English Series – which has turned into twelve books so far. The translations are done by Linda Schenck, Peter Graves and Sarah Death, all experienced and prize-winning translators from Swedish to English. In addition to the substantial job of translating a Nobel Prize winner, Schenck, Graves and Death have also contributed with their own translators’ afterwords in their respective translations. These chapters make for an intriguing read about different aspects of translating each particular book and give in-depth information about Lagerlöf’s work. Furthermore, each book is introduced by an exciting and informative preface written by the late Helena Forsås-Scott, the pioneering mind behind the series.

You can download a brochure and find more information about the series on our website.

Banished

What happens to an individual who is rejected by society? What happens to a society that eventually realises the living are more important than the dead, and that it is suffering a crisis of values and priorities? What does war do to us and to our outlook on the world? Selma Lagerlöf struggled with these issues throughout World War I and experienced a mental block in writing about them. Then she found an opening and produced a thought-provoking tale of love, death and survival that grapples with moral dilemmas as relevant today as they were a century ago.

The Emperor of Portugallia

For poverty-stricken farm labourer Jan, the birth of his daughter Klara gives life a new meaning; his devotion to her develops into an obsession that excludes all else. We are taken from the miracle of a new-born child and a father’s love for his baby girl into a fantasy world emerging as a result of extreme external pressures, in which Jan creates for himself the role of Emperor of Portugallia. Yet this seemingly mad world generates surprising insights and support. Described as ‘perhaps the most private of Selma Lagerlöf’s books’, the novel takes us deep into a father-daughter relationship that carries the seeds of tragedy within it almost from the start.

Mårbacka

The property of Mårbacka in Värmland was where Selma Lagerlöf grew up, immersed in a tradition of storytelling. Financial difficulties led to the loss of the house, but Lagerlöf was later able to buy it back, rebuild it and make it the centre of her world. The book Mårbacka, the first part of a trilogy written in 1922–32, can be read as many different things: memoir, fictionalised autobiography, even part of Lagerlöf’s myth-making about her own successful career as an author. It is part social and family history, part mischievous satire in the guise of innocent, first-person child narration, part declaration of filial love.

The Löwensköld Ring

The Löwensköld Ring is the first volume of a trilogy originally published between 1925 and 1928. In addition to being a disturbing saga of revenge from beyond the grave, it is a tale of courageous, persistent women, with interesting narrative twists and a permeating sense of ambiguity. The potent ring of the title brings suffering and violent death in its wake and its spell continues from one generation to the next, as well as into the two subsequent novels in the trilogy. The Löwensköld trilogy was Lagerlöf’s last work of pure fiction, and is now considered a masterpiece.

Charlotte Löwensköld

A curse rests on the Löwensköld family, as narrated in The Löwensköld Ring. Charlotte Löwensköld is the tale of the following generations, a story of psychological insight and social commentary, and of the complexities of a mother-son relationship. Charlotte is in love with Karl-Arthur – both have some Löwensköld blood. Their young love is ill-fated; each goes on to marry another. How we make our life ‘choices’ and what evil forces can be at play around us is beautifully and ironically depicted by Selma Lagerlöf, who was in her sixties when she wrote this tour de force with the lightest imaginable touch.

Anna Svärd

The curse on the Löwensköld family comes to fruition in unexpected ways in this final volume of the Löwensköld cycle. Anna Svärd is also very much a novel of women’s struggle toward finding fulfilment. The Löwensköld Ring resonates with ‘beggars cannot be choosers’ in relation to what a poor woman can expect in life, while Charlotte Löwensköld moves toward women having some choices. In Anna Svärd the eponymous protagonist takes full and impressive control of her own life and destiny. The question of motherhood and the fates of the children with whom the characters engage is another theme. The reader goes on to follow Charlotte, Karl-Artur, Thea and their families, familiar from the previous volume, through this compact novel as it moves relentlessly toward a chilling dénouement.

A Manor House Tale

Written in 1899, Selma Lagerlöf’s novella A Manor House Tale is at one and the same time a complex psychological novel and a folk tale, a love story and a Gothic melodrama. It crosses genre boundaries and locates itself in a borderland between reality and fantasy, madness and sanity, darkness and light, possession and loss, life and death. Lagerlöf’s two young characters, Gunnar and Ingrid, the one driven to madness by the horrific death of his goats in a blizzard, the other falling into a death-like trance as a result of the absence of familial warmth, rescue each other from their psychological underworlds and return to an everyday world that is now enhanced by the victory of goodness and love.

Nils Holgersson’s Wonderful Journey through Sweden: The Complete Volume

Starting life as a commissioned school reader designed to present the geography of Sweden to nine-year-olds, this absorbing tale quickly won the international fame and popularity it still enjoys over a century later. The story of the naughty boy who climbs on the gander’s back and is then carried the length of the country, learning both geography and good behaviour as he goes, has captivated adults and children alike, as well as inspiring film-makers and illustrators. The elegance of the present translation – the first full translation into English – is beautifully complemented by the illustrations specially created for the volume.

The Phantom Carriage

Written in 1912, Selma Lagerlöf’s The Phantom Carriage is a powerful combination of ghost story and social realism, partly played out among the slums and partly in the transitional sphere between life and death. The vengeful and alcoholic David Holm is led to atonement and salvation by the love of a dying Salvation Army slum sister under the guidance of the driver of the death-cart that gathers in the souls of the dying poor. Inspired by Charles Dickens’ A Christmas Carol, The Phantom Carriage remained one of Lagerlöf’s own favourites, and Victor Sjöström’s 1920 film version of the story is one of the greatest achievements of the Swedish silent cinema.

Lord Arne’s Silver

An economical and haunting tale, published in book form in 1904 and set in the sixteenth century on the snowbound west coast of Sweden, Lord Arne’s Silver is a classic from the pen of an author consummately skilled in the deployment of narrative power and ambivalence. A story of robbery and murder, retribution, love and betrayal plays out against the backdrop of the stalwart fishing community of the archipelago. Young Elsalill, sole survivor of the mass killing in the home of rich cleric Lord Arne, becomes a pawn in dangerous games both earthly and supernatural. As the deep-frozen sea stops the murderers escaping, sacrifice and atonement are the price that has to be paid.